The lyrics set up a memorable contrast between fireworks and what he calls “flowerworks”: The former burn out brilliantly and quickly, whereas flowers can exist humbly and peacefully for much longer. She’s a legend.”) The song isn’t quite like anything RM has released before an epic that swirls like a hurricane, it is sincere, pleading, and full of hard-won acceptance. “So I don’t want to reveal too many intentions.” Because of that, we didn’t talk about why his first words on Indigo are “Fuck the trendsetter” nor did we dig into his exploration of intimacy on “Closer” and solitude on “Lonely.” But I did ask about the gorgeous lead single, “Wild Flower,” which features the powerhouse vocals of Cho You-jeen, of the rock band Cherry Filter. “These days, I’m thinking that empty space is really important to the audience … to digest the music on their own,” RM said. Which explains why he hesitated to say too much about the meaning behind different songs. Like, ‘You said something really insensitive’ and ‘I hate you’ … Emphasizing silence is really hard, because you have a lot of platforms, like Instagram and Facebook and YouTube people have their own minds but can still be easily manipulated by algorithms and articles and other people.” In this environment, he said, knowing when to talk and when to remain quiet is even more valuable. “As a star, or as a famous boy-band member … it’s really hard to be honest and frank,” he told me. For RM, Indigo is a way of “speaking silence”-essentially, expressing himself truthfully in a way that doesn’t cause chaos or confusion. For instance, the album opener was inspired by the Korean painter Yun Hyong-keun, and the second track playfully extends the metaphor of a “still life” to talk about stagnation and momentum. He’s an avid reader (and literary influencer), a nature lover, and a museum goer, all of which comes through clearly on Indigo. I was reminded that, despite being a pop star, RM is drawn to slower, more contemplative forms of art and engagement. His hair was a natural deep-brown, and he wore dark-rimmed glasses and a loose-fitting olive shirt. Yet a calm, earth-toned aura emanated from my screen. W hen I spoke with RM on Zoom two weeks ago, he seemed nervous about Indigo’s impending release: “I just hope that time flies more quickly,” he told me. Listening to this album is like witnessing a person carve his name into the top of a mountain as a way of saying not just I was here, but also I’m glad you made it too. ![]() So instinctive is RM’s tendency to work with others that eight tracks feature other artists (including Erykah Badu, Anderson. At its core, Indigo is a work of hip-hop, but RM infuses it with neo-soul, folk, R&B, electronic, and rock. Today, RM released Indigo, which he calls “the last archive of my twenties.” The 10-track project is a musically omnivorous, profoundly collaborative effort that still feels like the work of an auteur-one who’s spent years refining his own sound and thematic obsessions. So it’s fitting that his first official solo album is a record that looks backwards. As the group’s leader and only fluent English speaker, he is often at the forefront of their public appearances, whether in TV interviews and award shows or at the United Nations and the White House. ![]() His lyrics grapple with the nature of art, identity, fame, and love. In addition to writing a sizable chunk of BTS’s discography, he’s put out two solo mixtapes-2015’s RM and 2018’s Mono-that define his style: cerebral, technically complex, introspective, defiant, wordplay heavy. Since BTS debuted in 2013, though, RM has been highly conscious of the mark he’s wanted to leave on the music world. Some people might find this curious-a 20-something artist agonizing over his longevity. “I promise that … I’ll be even better when I’m 30, 35, or 40,” he declared, to an eruption of cheers. What if their fans abandoned them? What if he lost his abilities as a performer? But, RM said, those concerns had melted away. In an emotional speech during a Los Angeles concert last December, the then-27-year-old South Korean rapper confessed that he’d spent that time worrying about the future. Kim Namjoon, better known by his stage name RM, had guided his fellow BTS members through the vagaries of early-pandemic life-a canceled world tour, delayed music releases and life plans, illness. O ne year ago today, the leader of the world’s biggest pop group stood beneath bright lights and told more than 50,000 fans about his fears.
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